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2017 South Korean film by Jang Hoon

A Taxi Driver
A Taxi Driver.jpg

Theatrical release poster
Hangul 택시운전사
Hanja 택시運轉士
Revised Romanization Taeksi Unjeonsa
Directed past Jang Hoon
Written by Eom Yu-na
Produced by Park Un-kyoung
Han Seung-ryeong
Starring Vocal Kang-ho
Thomas Kretschmann
Cinematography Become Nak-seon
Edited by Kim Sang-bum
Kim Jae-bum
Music by Jo Yeong-wook

Production
visitor

The Lamp
Distributed by Showbox

Release engagement
  • August two, 2017 (2017-08-02)

Running time

 137 minutes
Country South Korea
Languages Korean
English language
German
Budget ₩15 billion[1]
(roughly Us$xiii.eight million)
Box office US$88.7 1000000 [2]
(Republic of korea)

A Taxi Driver (Korean: 택시운전사 ; Hanja: 택시運轉士 ; RR: Taeksi Unjeonsa ) is a 2017 South Korean historical activeness[three] drama film directed by Jang Hoon and written past Eom Yu-na, with Song Kang-ho starring in the title role, alongside Thomas Kretschmann.[4] [5]

Based on a real-life story, the film centers on a taxi driver from Seoul who unintentionally becomes involved in the events of the Gwangju Uprising in 1980. It is based on German announcer Jürgen Hinzpeter'south interactions with driver Kim Sa-bok; however, every bit Kim's identity and real proper name were unknown at the fourth dimension the film was made (Hinzpeter only knew him equally "Kim Sa-bok"), about elements regarding his life and the events that happened to him outside of Gwangju are fictional.

The moving picture was released on August 2, 2017, in Due south Korea.[6] It was very positively received by critics, who praised its unique arroyo to depicting the Gwangju Uprising events, emotional weight, likewise as the main character and his relationship with Hinzpeter, and was selected every bit the S Korean entry for the All-time Strange Linguistic communication Film at the 90th Academy Awards.[7] [8] The picture was a notable commercial success: it was the second highest grossing film of 2017 in South Korea, and currently stands every bit the twelfth highest-grossing South Korean film in history.[9] [x]

Groundwork [edit]

Historical Groundwork [edit]

The film centers effectually the Gwangju Uprising that occurred from May 18, 1980 to May 27, 1980 and it is estimated to have led to 2,000 people being killed. The plot in the picture show mirrors the historical background of the Gwangju Uprisings.

The Gwangju Uprising was a result of a continuous power tug-of-war between the regime and the citizens of Republic of korea – mainly college students – that were advocating for democracy.[11]

For many years, Gwangju'due south Uprising was a forbidden term in South Korea – those who were on the side of the government during that time held the reins of nation. Co-ordinate to scholar Jang Se Young from the Wilson Center, "books related to Gwangju were strictly censored or prohibited from even beingness published. Although a number of political dissidents and activists sought to inherit and develop the spirit of Gwangju, they were persecuted."[12] Scholar Kim Yong Cheol stated that, "the political legacies the Gwangju Uprising produced played a pivotal role in checking armed services intervention in politics during the democratic transition too as in establishing the principle of civilian supremacy during the autonomous transition menstruation."[thirteen] Despite being banned, hundreds and thousands of news articles on what was happening in Gwangju were trying to exist released by some of the journalists inside the urban center.[13]

Efforts were made by some American journalists in social club to inform the world about what was happening in Gwangju. Tim Shorrock published numerous The states government documents related to the uprisings that were happening in Gwangju, and Terry Anderson, who was a old AP correspondent, covered the uprisings himself and provided an eyewitness account of the situation in 1980.[xiv] People in Seoul were not enlightened of what was happening in Gwangju, until international media took hold of the story.[15] Andrew David Jackson of Cambridge University argued that Jürgen Hinzpeter'south relationship with Due south Korea's democratization movement "take become important weapons for the activist generation in an ongoing struggle over the memorialization of the Gwangju Uprising."[14]

Candlelight Protests [edit]

The year marked the thirtieth year of significant democratic advancement in South Korean history, compared to the setting in which A Taxi Commuter took place.[16] Paul Y. Chang of KOAJ argued that the contemporary candlelight protest manufacture draws on organizational and cultural resource kickoff established in past republic movements."[xvi] During the filming of the movie, the director Jang Hoon was stopped multiple times, and the main role player of this film, Vocal Kang Ho, was blacklisted by the authorities from appearing on major motility picture show films.[15] Similar to the by, where newspaper articles and mass media coverage in South korea was heavily monitored and censored, this movie faced obstacles as it reached its release appointment due to the former government's implications.[17]

Plot [edit]

In 1980, Kim Man-seob is a widowed father who works as a taxi commuter in Seoul. I day, he overhears some other taxi driver talking virtually a foreign client who has booked him for a trip worth 100,000 won (or roughly 565 USD); the client intends to travel to Gwangju for the solar day and return to Seoul earlier curfew. Homo-seob rushes off to steal the client.

The client is Jürgen "Peter" Hinzpeter, a West German journalist who wishes to report on the increasing civil unrest in Gwangju. Due to strict censorship, foreign reporters are prohibited from entering the country. Peter pretends to be a missionary in order to enter South Korea. Man-seob meets Peter and lures him into his taxi earlier heading off to Gwangju.

The ii men find that all the roads leading to Gwangju are blocked and heavily guarded by soldiers. Man-seob tries to convince Peter that they should render to Seoul, just the latter refuses to pay the 100,000 won unless they reach Gwangju. They manage to enter the urban center after they lie nigh Peter being a businessman. In Gwangju, they find that all the shops are closed and the streets are deserted. Man-Seob dismisses the severity of the urban center'due south state as he believes that the contempo riots were caused past students who simply "go to school to protest" in part due to the news reporting misinformation. Peter begins to record his observations on his camera, and the ii men meet a group of college students who are riding on a pickup truck.[18] The leader of the grouping, Yong-pyo, invites Peter aboard. They also befriend English-speaking student, Jae-sik. Man-seob decides to turn back, reluctant to have his taxi damaged in the riots. Along the fashion, he takes pity on an old adult female looking for her son and she leads him to the local hospital. The adult female's son turns out to be Yong-pyo, who is in the infirmary with minor injuries. Peter and the higher students scold Human being-seob for his selfishness and reject to let Peter pay him until he fulfills the agreed trip.

Man-seob agrees to take Peter and Jae-sik (now acting as translator) through Gwangju. Local protesters welcome the foreign reporter and greet the trio with food and gifts. Peter films violent riots and witnesses soldiers beating protesters. Plainclothed Defense Security Command (DSC) officers(presumed DSC 505th Defense Security Unit) come across him filming and movement to arrest him. The three men evade capture. That evening, Human being-seob's taxi breaks down and they are met past Tae-soo, one of the local taxi drivers. Tae-soo tows the taxi to his shop for overnight repair. Man-seob becomes distressed every bit his young daughter is abode lonely and he is unable to contact her as Gwangju'southward phone lines accept been cut. Tae-soo lets the men stay at his firm for the night.

During dinner, they hear an explosion and discover that the tv station has been bombed. They caput at that place and Peter films the turmoil. The officers recognize Peter and hunt the three men; Jae-sik is captured, simply before he is taken abroad, he yells for Peter to share the footage with the globe. Human being-seob is assaulted by the leader of the Plainclothes DSC Officers, who accuses the driver of being a communist. Peter rescues Man-seob and the pair run back to Tae-soo's house.

At dawn, Tae-soo gives Homo-seob simulated Gwangju license plates every bit the soldiers are now searching for a Seoul taxi. Alone, Man-seob drives to the nearby boondocks of Suncheon, where he overhears reports of the events in Gwangju; the media falsely claims that the chaos was caused by "rogue groups and rioters". He is overwhelmed with guilt and drives back to the infirmary in Gwangju to detect Peter in shock and Tae-soo crying over Jae-sik's corpse. He reminds Peter of his promise to evidence the world what is happening in South Korea and encourages him to continue filming.

They film a street where soldiers are mercilessly shooting at civilians. Human-seob and the other taxi drivers use their vehicles to battlement the soldiers from further harming the civilians. The soldiers keep shooting, and the ii men make it at a route blocked by soldiers. Man-seob states that he is taking a strange businessman away from the turmoil. A young soldier searches the car and finds the license plates from Seoul. However, he remains silent on the discovery and lets them go. The soldiers then receive orders not to let whatsoever foreigners out, prompting them to chase the duo and shoot at them.

The pair are rescued by the local taxi drivers, who ram into the military vehicles to distract the soldiers. The taxi drivers are presumably killed in the chase, and Tae-soo ultimately sacrifices himself to permit Human-seob and Peter to escape. The two men make it to the airdrome, where they bid each other an emotional farewell. Peter asks Human being-seob for his name and phone number as he wishes to return to South Korea to visit. Man-seob hesitates but then writes his proper name and telephone number in Peter's notebook. Peter leaves the country safely.

Peter shares the footage with his superiors and the news is spread all over the world. He searches for "Kim Sa-bok", just to be told that the latter had provided a false name and telephone number. In Seoul, Man-seob happily reunites with his daughter.

Twenty-iii years later, Peter receives an laurels in South Korea for his written report on the Gwangju Uprising. In his speech, he expresses his gratitude to "Kim Sa-bok" and hopes to run across him again someday. Human being-seob, still a taxi driver, reads a newspaper article about Peter's speech and achievements including his words of gratitude towards him. Man-seob then murmurs that he is more than grateful to Peter and that he misses him too.

The epilogue states that Peter tried to search for the taxi driver who took him through Gwangju, but he died in 2016 earlier they could meet again. The film ends with footage of the real Peter, who gives his thanks to "Kim Sa-bok".

Cast [edit]

Master [edit]

  • Song Kang-ho as Kim Man-seob
A widowed taxi commuter who lives with his eleven year onetime daughter in a small house. He is an ordinary human from the working class who cares only nearly his family unit's livelihood and is uninterested in political issues.[19] The graphic symbol is loosely based on real-life taxi commuter Kim Sa-bok, who ferried Jürgen Hinzpeter to Gwangju. Kim remained out of the public eye until the release of A Taxi Driver,[xx] when in September 2017, post-obit the immense commercial and critical success of the movie in South korea, Kim's identity was finally confirmed by his son, Kim Seung-pil. The younger Kim shared with the media a photo of Jürgen Hinzpeter with his father and revealed that his father died of cancer in 1984, four years afterward the Gwangju events.[21] Kim Sa-bok was reportedly 54 years old at the time of his expiry in Dec 1984.[22]
  • Thomas Kretschmann as Jürgen Hinzpeter
A German reporter. The character is based on the life of Jürgen Hinzpeter (1937–2016), the late German journalist who filmed and reported on the Gwangju massacre.[23]

Supporting [edit]

  • Yoo Hae-jin as Hwang Tae-sool
A kindhearted local taxi driver
  • Ryu Jun-yeol every bit Gu Jae-sik
A naive university student who knows English language
  • Park Hyuk-kwon as Reporter Choi
  • Uhm Tae-goo as Sergeant first class Park
  • Yoo Eun-mi as Eun-jeong
Kim Homo-seob's daughter.
  • Choi Gwi-hwa as Leader of Plainclothes DSC Officeholder
  • Cha Soon-bae equally Driver Cha
  • Shin Dam-soo equally Driver Shin
  • Ryoo Seong-hyeon equally Driver Ryoo
  • Park Min-hee as Kwon Joong-ryeong
  • Lee Jeong-eun every bit Hwang Tae-sool's married woman
  • Kwon Soon-joon as Kang Sang-goo
  • Yoon Seok-ho equally Hwang Tae-sool'south son
  • Heo Jeong-practice every bit Seoul pregnant wife'south husband
  • Lee Bong-ryun every bit Seoul pregnant married woman
  • Lee Ho-cheol as Hong Yong-pyo
  • Lee Young-yi as Hong Yong-pyo'south wife
  • Han Geun-sup as University pupil protester
  • Hong Wan-pyo as University pupil protester

Special appearances [edit]

  • Ko Chang-seok as Sang-goo's father
  • Jeon Hye-jin as Sang-goo's female parent
  • Jung Jin-young every bit Reporter Lee
  • Ryu Tae-ho as Gwangju newspaper director
  • Jeong Seok-yong every bit President of car center in Seoul

Production [edit]

Filming began on June 5, 2016, and ended on October 24, 2016.[24]

Release [edit]

The picture show was released on August two, 2017 in South korea.[25] On the same day, the motion-picture show had its international premiere at the Fantasia International Film Festival in Montreal, where Song Kang-ho was named Best Actor for his function in the moving-picture show.[26] [27] [28]

According to distributor Showbox, the picture volition be released in Due north America on August eleven, Commonwealth of australia and New Zealand on August 24, followed by the United kingdom on August 25. It volition then open in Asian countries including Hong Kong, Taiwan and Japan in September.[29] [xxx]

Reception [edit]

Positive reviews [edit]

A Taxi Commuter received positive reviews upon its release. The review aggregation website Rotten Tomatoes gives the movie an approval rating of 96% based on 28 reviews, with an average rating of 7.3/10. The website's critical consensus reads "A Taxi Driver brings a ground-level perspective and a refreshingly light affect to a fact-based story with sobering implications."[a] On Metacritic, which assigns a normalized rating based on reviews, the picture show has a score of 69 out of 100, based on vii critics, indicating "generally favorable reviews".[b]

Sohing Yi Chan of OFF SCREEN pointed out A Taxi Commuter "equally a film depicting a historical trauma", let the international audience, particularly those who were not familiar with the result, be able to acquire more than about the truth.[31] He also suggested that the film past adopting a classical Hollywood structure in narrative, gave audiences a chance to "experience the roller coaster of emotions that the movie bombards the audience within a highly workmanlike fashion".[32]

Jennie Kermode of Eye For Film shared the relevant ideas that the director didn't ignore the peaceful and lovely moments besides the violent, panic and horrible scenes, and it created a dissimilarity in emotion and allow audition continue shocking or plunge into consideration.[33]

The cinematography in this film gained some more than attention. Sheri Linden of The Hollywood Reporter went further that especially in the checkpoint scene and the mount-road hunt scene, the cinematography captured a "metal-on-metal violence" which was exaggerated in a "pastoral backdrop" that made Kim's decision and reaction more than disarming.[34] Sheri Linden besides refuted the doubt on the other character Hinzpeter that his emotions might be overplayed in the last act, by evidencing the found footage from the real Hinzpeter by the end of the motion picture, to show the proper performance in the film.[34]

Edeltraut Brahmstaedt, the widow of the German journalist Jürgen Hinzpeter, was to visit Seoul on Baronial viii, 2017. During the visit, Brahmstaedt planned to lookout man the moving picture based on the truthful story of her late husband.[35]

On August thirteen, 2017, Republic of korea'southward President Moon Jae-in viewed A Taxi Commuter with Edeltraut Brahmstaedt and her family.[36] A Blue House official said, "The movie shows how a foreign reporter'south efforts contributed to Korea'due south democratization, and President Moon saw the movie to honor Hinzpeter in respect for what he did for the country."[37] After watching the flick, President Moon commented:[38]

"The truth nearly the uprising has not been fully revealed. This is the chore we have to resolve. I believe this movie volition help resolve it."

Critical reviews [edit]

Some people accept pointed out the formulaic elements and the weakness they brought to the pic. Manfred Selzer of Asian Picture show Web argued due to the heavy use of slow-motion, repetitions and soundtrack, some scenes of killing seemed too melodramatic; and the exciting scenes that the taxi chasing on mount road although were some wonderful action scenes, did not piece of work on well with the narrative, which seemed "out of identify in the motion picture and aren't captured that convincing either".[39]

Simon Abrams of RogerEbert.com argued that Peter was depicted every bit a stiff supporting role to work for the narrative rather than a vivid graphic symbol in the story, and each peak moment "feels too corking and schematic" that couldn't evoke sincere emotion.[40]

Sohing Yin Chan, in his review, questioned whether the emotional wave based on the balanced narrative fabricated between drama and activeness genre could clasp the audience'southward tear in upstanding way; he also believed those emotion are "as well detached from all the activeness."[32]

Box function [edit]

According to the Korean Film Council, on the kickoff day of the release, a total of 698,090 tickets were sold, which earned US$4.five million.[41] The moving picture was available on 1,446 screens and was shown 7,068 times across South korea.[42] By noon on the second twenty-four hours of its run, the film had passed the one 1000000 viewer mark.[43]

On the tertiary day, the total audition doubled, attracting two million viewers.[44] The viewer numbers continued to rising as the tickets sale increased to four million by the fourth day.[45] [46]

A Taxi Driver has earned a total of US$thirty.7 million in v days with 4.38 million admissions.[47] [48] It has tied with The Admiral: Roaring Currents and The Battleship Island for the record of films which have surpassed 4 million viewers in the first 5 days of release. At the end of the first seven days, the film surpassed five million admissions.[49] [50] On the eleventh day since the opening the film recorded more than 7 million viewers.[51]

A Taxi Driver became the most viewed South Korean moving picture in 2017 in less that two weeks since its premiere by attracting more than than viii meg audience.[52] [53] By August 15, 2017, it has earned a total of Us$62.7 million with 9.02 million admissions.[54]

Past Baronial 20, in just 19 days since the picture was released, A Taxi Driver surpassed 10 million viewers selling 10,068,708 tickets,[55] earning a total of United states of america$73 meg.[56] [57] A Taxi Commuter too became the first film of 2017 and the fifteenth Korean film overall to surpass the 10 million milestone. Information technology is likewise Song Kang-ho's third film to take sold more than 10 million tickets.[58]

The motion picture topped the Due south Korean box office for three consecutive weekends. By August 28, the picture show had attracted 11.iv million viewers.[59] According to the film's benefactor Showbox, the total omnipresence of the motion picture surpassed the 12 one thousand thousand mark as of September 9, condign the 10th well-nigh-watched local moving picture of all fourth dimension in South Korea.[60]

Reactions in China [edit]

A Taxi Driver is yet to exist released in whatsoever grade in China, though it received a theatrical release on September 21, 2017 in Hong Kong. The film has received warm responses from users on Chinese picture show website Douban, where it had a high user rating.[61] However at around 21:10, Oct 3, 2017, the film was entirely removed from the Chinese pic portal, the reason possibly being that a number of reviews had compared the film's content to the 1989 Tiananmen Square protests and massacre, which is strictly censored on media in Communist china.[62]

Fictionalized elements [edit]

A Taxi Commuter generally shows practiced accuracy on the retentiveness of Gwangju Insurgence, but several historical events depicted in the motion picture are inaccurate and fictional.

The name of the taxi driver who helps Hinzpeter in the moving-picture show is Kim Homo-seob. He gives a faux name, Kim Sa-bok, to Hinzpeter when he asks for Kim'south proper noun afterward in the film. Even so, in existent life, the taxi commuter'south proper noun was actually Kim Sa-bok. The merely information known about the commuter at the time during product was the name Kim Sa-bok, which was not registered every bit a taxi driver (due to his beingness a hotel taxi driver, not a cocky-employed taxi driver). Therefore, nearly of the character settings, including the "real" proper noun Kim Man-seob, were created for the moving-picture show.[63] [64]

In the film, Kim Man-seob is a cocky-employed taxi driver. Kim Sa-bok (real proper noun of Kim Human being-seob) actually wasn't a self-employed taxi driver, but a hotel taxi driver.[65] Thus, his car was not a greenish taxi shown in the film but a black sedan.[66]

In the film, but Kim Man-seob and Jürgen Hinzpeter head to Gwangju. Yet, in real life they were accompanied with Hinzpeter's audio technician Henning Rumohr.[67]

The massive car chase sequence in which the taxi drivers in Gwangju assistance Kim Man-seob and Hinzpeter escape Gwangju did not happen.[68] In reality, they escaped from Gwangju without incident on the pretext of doing concern.[69]

In the movie, Kim Man-seob communicates with Hintzpeter in brusque English and is unable to speak English fluently. Nonetheless, Kim sa-bok in real life was able to speak fluent English.[70]

Kim Man-seob in the film shows no interest in demonstrations and doesn't know what's happening in Gwangju. In real life, Kim Sa-bok was actually interested in democratic movements and explained the situation in Gwangju to Hinzpeter.[71]

In the flick, Jürgen Hinzpeter is described as the but foreign press personnel to certificate the events in Gwangju. However, other foreign news reporters including Henry Scott Stokes from The New York Times and Terry Anderson from Associated Press were in Gwangju covering the motility.[69]

The movie ends with footage of an interview from November 2015 with the real Jürgen Hinzpeter describing his fruitless efforts to detect his commuter Kim Sa-bok once again, after the events of Gwangju. Hinzpeter died in January, 2016 without ever finding Kim Sa-bok. In 2017, the immense popularity in Republic of korea of the moving-picture show "A Taxi Driver" brought the story of Kim Sa-bok to the attention of his son, Kim Seung-pil, who came along publicly on Twitter and presented photographic evidence and details of his male parent's work with Jürgen Hinzpeter.[72] The existent Kim Sa-bok had a long term working relationship every bit a commuter for Jürgen Hinzpeter, since at least 1975, and had died of liver cancer on Dec xix, 1984 at the age of 54. According to his son, Kim Sa-bok was traumatized past the terrible events at Gwangju and became a heavy drinker afterwards, which likely hastened his death.[73] [74] Kim Sa-bok's decease just a few years afterwards the events depicted in the movie, and the fact that he was an independent driver not registered with whatever of the taxi companies were the reasons that Jürgen Hinzpeter had been unable to observe him again when he returned later on to Korea. The photographs presented by Kim Seung-pil were confirmed to be authentic by German broadcaster ARD and Hinzpeter'southward widow.[75]

Awards and nominations [edit]

Honour Category Recipient Outcome Ref.
26th Buil Film Awards All-time Motion picture A Taxi Driver Won [76]
Best Actor Song Kang-ho Won
Best Cinematography Go Nak-seon Nominated
All-time Music Jo Yeong-wook Nominated
Best Art Direction Cho Hwa-sung and Jeong Yi-jin Nominated
Buil Readers' Jury Award Jang Hoon Won
21st Fantasia International Film Festival All-time Actor Song Kang-ho Won [77]
54th Grand Bell Awards All-time Motion picture A Taxi Driver Won [78]
All-time Director Jang Hoon Nominated
Best Histrion Song Kang-ho Nominated
Best Screenplay Eom Yu-na Nominated
Best Music Jo Yeong-wook Nominated
Best Art Direction Cho Hwa-sung and Jeong Yi-jin Nominated
Best Costume Design Cho Sang-kyung Nominated
Best Cinematography Go Nak-seon Nominated
Best Editing Kim Sang-bum and Kim Jae-bum Nominated
Technical Award A Taxi Driver Nominated
All-time Planning Won
37th Korean Association of Film Critics Awards Top 10 Films Won [79]
Best Supporting Role player Yoo Hae-jin Won
1st The Seoul Awards Grand Prize (Film) A Taxi Commuter Nominated [lxxx] [81]
Best Actor (Moving picture) Vocal Kang-ho Won
tertiary Asian Earth Picture show Festival Special Mention Laurels Won [82] [83] [84]
All-time Film A Taxi Commuter Won
Humanitarian Award Won
38th Blue Dragon Movie Awards Best Film Won [85]
Best Director Jang Hoon Nominated
All-time Actor Song Kang-ho Won
Best Supporting Role player Yoo Hae-jin Nominated
All-time New Actor Ryu Jun-yeol Nominated
Best Screenplay Eom Yu-na Nominated
Best Music Jo Yeong-wook Won
Best Fine art Direction Cho Hwa-sung and Jeong Yi-jin Nominated
Audition Pick Award for About Popular Pic A Taxi Driver Won
17th Managing director'due south Cut Awards Special Mentions Won [86]
Best New Actor Choi Gwi-hwa Won
25th Korea Culture & Amusement Awards Best Pic A Taxi Commuter Won
Best Director (Film) Jang Hoon Won
17th Korea World Youth Film Festival Favorite Director Won
Favorite Thespian for Eye-Aged Actor Song Kang-ho Won
quaternary Korean Flick Producers Association Awards Best Actor Won [87]
12th Asian Film Awards All-time Supporting Actor Yoo Hae-jin Nominated [88]
Best Original Music Jo Yeong-wook Nominated
54th Baeksang Arts Awards K Prize (Film) A Taxi Driver Nominated [89]
Song Kang-ho Nominated
Best Film A Taxi Driver Nominated [90]
Best Director (Film) Jang Hoon Nominated
Best Actor (Film) Vocal Kang-ho Nominated
Best Screenplay (Flick) Eom Yu-na Nominated
23rd Chunsa Film Fine art Awards Best Director Jang Hoon Nominated [91]
Best Screenplay Eom Yu-na Nominated
All-time Histrion Song Kang-ho Nominated
Best Supporting Player Ryu Jun-yeol Nominated

Come across too [edit]

  • List of submissions to the 90th University Awards for Best Strange Language Film
  • List of South Korean submissions for the University Award for Best Foreign Language Film

Notes [edit]

  1. ^ A Taxi Driver at Rotten Tomatoes. Retrieved Jan 21, 2019.
  2. ^ A Taxi Driver at Metacritic Edit this at Wikidata. Retrieved September two, 2017.

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External links [edit]

  • A Taxi Commuter at the Korean Movie Database
  • A Taxi Driver at IMDb
  • A Taxi Driver at HanCinema
  • A Taxi Driver at Naver Movies (in Korean)

chanblaying.blogspot.com

Source: https://en.wikipedia.org/wiki/A_Taxi_Driver

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